Tuesday, July 28, 2015
Technology vs Artistic Composition in Film Score II
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- Alexander Nevsky
- Bernard Herrmann
- bitonality
- Branislav Kaper
- Charlie Chaplin
- cinema paradiso
- classical music
- composer
- composition
- Doublebass
- Doublebass Quartet
- East West Quantum Leap Symphonic Orchestra
- Easy Street
- Ennio Morricone
- Enrich Korngold
- film director
- film music
- film score
- film scoring
- Franz Waxman
- Giacomo Puccini
- Gone with the wind
- Hans Zimmer
- Howard Shore
- Igor Stravinsky
- incidental music
- Ivan the Terrible
- James Newton Howard
- Jaws
- Jerry Goldsmith
- jhon williams
- Max Steiner
- MIDI
- Miklos Rozsa
- Mock-up
- Nino Rota
- orchestration
- polytonality
- Psycho
- Sergei Eisenstein
- Sergei Prokofiev
- Short film
- Sibelius Software
- silent films
- soundtrack
- star wars
- the circus
- the empire strikes back
- The Godfather
- the lion´s case
- The Omen
- Vangelis
- Vienna Symphonic Library
- violin
- VST
Labels
- Alexander Nevsky
- Bernard Herrmann
- bitonality
- Branislav Kaper
- Charlie Chaplin
- cinema paradiso
- classical music
- composer
- composition
- Doublebass
- Doublebass Quartet
- East West Quantum Leap Symphonic Orchestra
- Easy Street
- Ennio Morricone
- Enrich Korngold
- film director
- film music
- film score
- film scoring
- Franz Waxman
- Giacomo Puccini
- Gone with the wind
- Hans Zimmer
- Howard Shore
- Igor Stravinsky
- incidental music
- Ivan the Terrible
- James Newton Howard
- Jaws
- Jerry Goldsmith
- jhon williams
- Max Steiner
- MIDI
- Miklos Rozsa
- Mock-up
- Nino Rota
- orchestration
- polytonality
- Psycho
- Sergei Eisenstein
- Sergei Prokofiev
- Short film
- Sibelius Software
- silent films
- soundtrack
- star wars
- the circus
- the empire strikes back
- The Godfather
- the lion´s case
- The Omen
- Vangelis
- Vienna Symphonic Library
- violin
- VST
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