Showing posts with label jhon williams. Show all posts
Showing posts with label jhon williams. Show all posts
Sunday, June 21, 2015
The 10 Most influential Film Scores of all Times
1) 2001 a Space Odyssey, 1968, Richard Strauss, Johann
Etiquetas:
Bernard Herrmann,
Ennio Morricone,
Gone with the wind,
Hans Zimmer,
Howard Shore,
James Newton Howard,
Jaws,
Jerry Goldsmith,
jhon williams,
Max Steiner,
Nino Rota,
Psycho,
The Godfather,
The Omen,
Vangelis
Saturday, May 9, 2015
My Favorite Star Wars Themes
Being a symphony orchestra musician admirer of Bach, Mozart, Beethoven, Tchaikovsky, Prokofiev, Shostakovich, Mahler ,Puccini and many other great masters, special place in my preferences has the music master John Williams has written for the Star Wars saga.
The harmonic treatment, wonderful themes that features each of the characters making use of Wagnerian leitmotif, the rich and varied orchestration and that special ability to effectively mix the score with the film attest to the mastery of John Williams to music for film.
Of all the films so far we have my favorite is The Empire Strikes Back .Its darker and deeper tone, the path each character takes, also the fact that it left in expectation to The Return of the Jedi made it similar in my opinion to a second movement of a symphony that attacca toward the next movement.
It is in this film which is introduced for the first time the Imperial March one of my favorite tracks and I think one of the most if not the most famous of the whole saga.
To animate waiting until December 18 when a new chapter of the saga will premiere,I wrote a quartet for basses using two of the most famous themes of the series, I hope you like.
The harmonic treatment, wonderful themes that features each of the characters making use of Wagnerian leitmotif, the rich and varied orchestration and that special ability to effectively mix the score with the film attest to the mastery of John Williams to music for film.
Of all the films so far we have my favorite is The Empire Strikes Back .Its darker and deeper tone, the path each character takes, also the fact that it left in expectation to The Return of the Jedi made it similar in my opinion to a second movement of a symphony that attacca toward the next movement.
It is in this film which is introduced for the first time the Imperial March one of my favorite tracks and I think one of the most if not the most famous of the whole saga.
To animate waiting until December 18 when a new chapter of the saga will premiere,I wrote a quartet for basses using two of the most famous themes of the series, I hope you like.
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Labels
- Alexander Nevsky
- Bernard Herrmann
- bitonality
- Branislav Kaper
- Charlie Chaplin
- cinema paradiso
- classical music
- composer
- composition
- Doublebass
- Doublebass Quartet
- East West Quantum Leap Symphonic Orchestra
- Easy Street
- Ennio Morricone
- Enrich Korngold
- film director
- film music
- film score
- film scoring
- Franz Waxman
- Giacomo Puccini
- Gone with the wind
- Hans Zimmer
- Howard Shore
- Igor Stravinsky
- incidental music
- Ivan the Terrible
- James Newton Howard
- Jaws
- Jerry Goldsmith
- jhon williams
- Max Steiner
- MIDI
- Miklos Rozsa
- Mock-up
- Nino Rota
- orchestration
- polytonality
- Psycho
- Sergei Eisenstein
- Sergei Prokofiev
- Short film
- Sibelius Software
- silent films
- soundtrack
- star wars
- the circus
- the empire strikes back
- The Godfather
- the lion´s case
- The Omen
- Vangelis
- Vienna Symphonic Library
- violin
- VST











